A selection of motion work ranging from full solo production to creative direction and storyboards handed off to video teams. Some pieces I animated entirely. Others I designed, storyboarded, and directed before passing to a production team for final execution.

A looping three-screen convention display for Pfizer's EULAR congress, designed to run on large format screens throughout the event. A continuous blue line builds across the composition, threading through patient imagery and circular content panels before the screen slides to reveal the next day. The line was not decorative, it was the concept, representing Pfizer's ongoing commitment to reach every patient. Produced in two waves, one previewing the congress schedule and one running live during the event with updated content and patient imagery. Designed and animated entirely in After Effects across two production waves.

A solo production from concept to export for a calligraphy sensei in Osaka. Script written in Japanese and English, location scouted, storyboards built in Illustrator, filmed on iPhone with a lav mic and tripod, then edited and animated in Premiere and After Effects. Projected graphic elements appear on the wall behind the subject during interview segments. First time directing a live subject and managing a full production pipeline independently.

Style frames, storyboards, iconography, typography, and three key animated sequences built and handed off to the video production team. The doctor interacts with data projected around him, with hand movements triggering chart reveals and information builds. A Minority Report visual language applied to vaccine education for healthcare professionals.

A silent infographic video using clean geometric shapes to communicate a complex bacterial infection story for Pfizer. Built two anchor animations to establish the motion language before handing off to the video team for full production. No voiceover, no talking head, the design carries the entire narrative.